The opening feels as much like an entertaining behind-the-scenes look at how the typical casino works as it feels like a fictional film about gangsters. He employs a lot of fast cuts while presenting very stylized, documentary-like footage. One of the reasons it works is because of the style that Scorsese uses to accompany it in the opening. For at least the first 15 minutes, there is barely a pause in the narrational dialogue.
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It's remarkable that the narration works as well as it does, especially because a lot of it is given a rapid-fire delivery. The aim was probably to include a lot more of Pileggi's book, in a more literal way, than would have been possible through more conventional means. The most prominent oddity is that a large chunk of it is told via alternated narration from the two main characters, Rothstein and Santoro. It's roughly a gradual road to destruction for everyone involved. Casino is the story of the relationship and political problems that this cast of characters and a number of associates run into. Meanwhile, mob strong-arm Nicky Santoro (Pesci) heads out to Vegas to protect Rothstein, but eventually ends up running his own rackets and trying to effectively take over the town. He falls in love with and marries former hooker/call-girl and current Vegas hustler Ginger McKenna (Stone), who remains in love with her pimp, Lester Diamond (Woods). The mob backs Rothstein but has to set up a false front while Rothstein "secretly" runs the hotel, because of his gambling charges back East. The hotel became the Tangiers for the film. The Rosenthal character is here named Sam "Ace" Rothstein and is played by De Niro. Casino is based on the story of Frank "Lefty" Rosenthal and the Stardust casino in Las Vegas. There are plenty of flaws here, and I'm going to spend some time pointing them out, particularly since the film receives so many 10's. An 8 out of 10 may seem high, but if you're familiar with my reviews, you'll know that it's not that high of a score from me-it's closer to average from me. But I don't think that Casino is at all a "perfect" film. I'm a huge De Niro fan, and I'm a fan of Scorsese and Woods as well. If you're at all interested in gangster/mafia films, or if you're at all a fan of director/co-writer Martin Scorsese, novelist/co-writer Nicholas Pileggi, or actors Robert De Niro, Joe Pesci, Sharon Stone or James Woods, then Casino is without a doubt a must-see. He's just looking for something to figure out how he can move forward with his stuff.Casino is a very good film. I think he's in a very, very dark place at the end of the film. “In my gut it would be leaning towards using them. Is Storm Shadow a man wanting a new clan or does he want to use Cobra’s increasing global influence for his own needs? “It could be a bit of both,” Koji tells USA TODAY.
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However, the woman turns out to be the Baroness (Úrsula Corberó), an operative with the shadowy criminal terrorist group Cobra, who wants to work with the dangerous free agent: “You lost an army, Tommy,” she says. Soon enough, he’s found a new ally: In a mid-credits scene, Tommy is on a private plane ready for takeoff when a flight attendant brings him champagne. Doubly angered, Tommy storms away from his clan as well as his frenemy. Unfortunately for the man also known as Storm Shadow, Tommy’s problems get worse: In battle against Kenta, Tommy uses the gem to protect his family, though in doing so means by family law that he cannot lead the Arashikage.
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'Snake Eyes': Henry Golding gets real about fatherhood, weighs in on 'Crazy Rich Asians' sequel
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Joe counterterrorism squad – Tommy’s incensed by the betrayal. Snake Eyes steals a very powerful gem protected by the Arashikage for the Yakuza gangster Kenta (Takehiro Hira), and while Snake Eyes realizes the errors of his ways – and teams up with Scarlett (Samara Weaving), a member of the G.I. Played by Henry Golding, Snake Eyes is a loner recruited by his new Japanese “blood brother” Tommy (Andrew Koji) into the ancient Arashikage ninja clan, though Snake Eyes is also working for the bad guys, secretly infiltrating Tommy’s family organization in exchange for information on who killed his father. Joe” reboot “Snake Eyes” (in theaters and available through video on demand services now) offers origin stories for the title commando and the Cobra ninja Storm Shadow and, by its climax, places them on opposite sides of a global war – though Snake Eyes himself has a ways to go before becoming the familiar character from 1980s kids’ childhoods. Spoiler alert! The following post discusses important plot points and the ending of “Snake Eyes” so beware if you haven’t seen it yet. Watch Video: 'Snake Eyes': Henry Golding chats ninja training, fatherhood, more